There’s no Killer Dwarfs box set, so I made one

As recent Metal Monday posts show, I lately became a big fan of the Killer Dwarfs. I’ve loved their songs since first seeing the video for “Keep the Spirit Alive” waaaaayyy back in the winter of 1986-87. But it was seeing them live not just once, but twice, within a year in 2019 that got me hooked. I began searching out their back catalogue. Easier said than done! And sadly, there is no Killer Dwarfs box set. So… I made one.

Killer Dwarfs box ser
Homemade Killer Dwarfs box set by David Jón Fuller / Photo by Mike Aporius

To start with, I’d been fortunate enough to pick up their 2013 album Start @ One, and their 2018 live album Live, No Guff! at one of their shows. I bought Russ Dwarf’s Wireless at another show. But finding the Dwarfs’ earlier albums is something of a challenge.

The signature crate from the Killer Dwarfs’ popular video for “Keep the Spirit Alive,” in which the hapless Russ Dwarf suffers many misadventures.

I had never bought Stand Tall when it came out, despite “Keep the Spirit Alive” being one of my favourite songs, nor Big Deal, despite the brilliance of the video for “We Stand Alone.” However, thanks to searching out music stores and resellers online, I was able to put together most of a collection on CD. Stand Tall and Reunion of Scribes — Live 2001, were by far the hardest to come by.

Sometime around the second Dwarfs show I went to, in late 2019, I started thinking: of all the bands that have released box sets, who better than the Killer Dwarfs, whose signature crate would make the perfect case for it? But as mentioned above, there is no Killer Dwarfs box set. If you’ve searched for one online and ended up here, you already know that.

So, being in no way a carpenter or marketing genius, I decided to make one. Here’s how I did it.

Filling your Killer Dwarfs box set — the albums

Obviously, it’s not a box set unless it is in some sense “complete.” So, absent any bootlegs, I figured I needed:

  1. Killer Dwarfs
  2. Stand Tall
  3. Big Deal
  4. Dirty Weapons
  5. Method to the Madness
  6. Reunion of Scribes — Live 2001
  7. Start @ One
  8. Wireless (Russ Dwarf album)
  9. Live, No Guff!

The easiest way I found to get the recent CDs (i.e., released since 2013) was at the Killer Dwarfs’ live shows. (I’ve tried ordering other CDs through their Bandcamp site, but just cannot get it to work.) They really ought to sell their complete back catalogue at each performance (hint, hint).

The hardest albums to track down on CD were Stand Tall and Reunion of Scribes — Live 2001. Good luck finding either for less than $200! I found the first on eBay, eventually (search early, search often). The seller was in Russia, and it was going for around 10 bucks… so for that price, either it’s not a collector’s item there or this is some kind of copy — which, upon receiving it, I think it likely is. But the sound quality was fine and I have the original album on vinyl, anyway! I just wanted to have a complete collection to go in the crate.

The second hard-to-find album is one I have now owned three times. I reviewed Reunion of Scribes for Uptown magazine when it came out in 2002, but it wasn’t my favourite album, so I gave it away. (It’s a decision I rue now). Recently I tried many used record and CD stores, locally and online, to no avail. To make a long story short, I bought a digital copy from Russ Dwarf’s Bandcamp page, and then, ironically, found the CD for a decent price from a seller on Discogs the very next day — so I bought that too.

Designing a Killer Dwarfs box set

First, I figured out how big to make it. I chose to make it a cube with enough room to hold at least 10 CDs, to allow room for the entire Killer Dwarfs back catalogue, as well as a future album or two.

Then I had to figure out materials. I thought of building it around a plastic CD rack, but couldn’t scrounge one that would work. I decided to go with lightweight wood.

The crate from the video for the Killer Dwarfs’ “We Stand Alone” is clearly built to a different scale than in the previous music video, but it had a clearer image of the front lettering.

For the inner box to hold the CDs, I went with ¼-inch fir “good one side” plywood. For the outer appearance of the crate, I took screen captures from the videos for “Keep the Spirit Alive” and “We Stand Alone” and stumbled onto a workable selection of materials in my basement: ¼-inch wood panelling, which on its unfinished side looks like “crate” material, and wooden stir-sticks for paint that could look like framing.

Fortunately the folks at Rona were willing to sell me a bunch of long stir-sticks that were also ¼-inch thick, making the math of figuring out how the materials would work together way easier (and, it looked better than a thinner stir-stick like the ones I had).

I looked up online some ways to build small wooden crates, but to be honest, since I’m no carpenter (see above) and since the look of the crate in both videos, while slightly different, isn’t particularly finished, I didn’t go for any complex, jewellery box detail in the assembly. Let me say here that all the apparent blemishes and mistakes in the final look of my CD crate were TOTALLY INTENTIONAL AND AESTHETICALLY NECESSARY.

Anyway.

Interior CD box
Pieces for the inner crate of the Killer Dwarfs box set

Building a Killer Dwarfs box set

I cut pieces of ¼-inch plywood for the interior box. I cut them so the outer dimensions of that cube would be 6 ½ inches — so the top and bottom  pieces were 6 ½ inches square, two sides were 6 ½ inches by 6 inches, and two sides were 6 by 6 inches.

Killer Dwarfs box set inner crate
The inner crate had to fit all the Killer Dwarfs albums on CD.

I always dry-fit pieces before I try to put them together since I am Not A Carpenter ™ and don’t fully trust that my designs will work before I put them together. Also, I was figuring this out mostly as I built. Lots of measuring and re-measuring. By the way, building a cube that is perfectly square on all sides when you don’t have a working table saw is SUPER HARD.

I painted the interior walls black.

I decided to add something a little extra on the bottom — a Killer Dwarfs logo. I found one online, printed it out large, and then scaled it to fit, using a geometry set and a bit of junior high algebra. Then I did the lettering on the wood in pencil as well as I could.

Killer Dwarfs box set inside logo
I scaled down and drew the Killer Dwarfs logo by hand.

After I had tweaked the imperfections in the logo, I painted it black. After it dried, I erased more of the visible pencil lines and painted a second coat.

I put two pairs of sides together with glue, and when that had set, I glued each two-side pair to the other and used elastic bands to keep pressure on the joints as they set.

Killer Dwarfs box set inside crate
I painted the interior sides black, and glued all the pieces together.

Then I glued the four-side construction to the bottom. The front side showed no joins, since I wanted to use the fake “slats” I would be adding to the sides to help hold the joined side of the inner cube together. To be honest, given the number of pieces of wood I would be adding and gluing, I’m not sure it would have made a difference. But since the wood was all too thin for me to nail, I wanted to make sure it had as much strength as I could.

Making the “slats” of the crate meant cutting the stir sticks so I could have a square frame, which would go over the horizontal slats.

Killer Dwarfs box set slats
I used long paint stir sticks to make the slats and “frame” of the outer crate.

I painted the outside of the interior box black where it would show through the slats. That was for the illusion of it being dark inside, as well as allowing the glue to hold directly to wood on both sides, instead of paint.

Killer Dwarfs box set slats 2
I used elastic bands instead of a clamp to hold the slats tight while the glue set.

Once both sides were done, I started working on the bottom, using the 1/4 –inch panelling. It was just right for the dimensions I needed. In a perfect world I could have cut the tongue and the groove off the edge, I suppose, but it looked pretty good to me.

Killer Dwarfs box set back
I used tongue-and-groove siding, with the rough side out, to get the look of an unfinished crate.

The back and the front were also ¼-inch panelling, running horizontal. This duplicated the look of the crate, in my opinion, and let me cut the tongue and groove off the top and bottom for a more finished look on the top.

I put the back on first, partly because I needed to paint the front of the crate before gluing it in place.

Painting a Killer Dwarfs box set

For the front, I had to recreate the “DANGER / KiLLeR DWaRf / INSIDE / THIS SIDE UP” signage. I felt the lettering for the front of the crate would be much more difficult than just the logo, so I did it on paper first, using the images from both music videos.

Killer Dwarfs box set crate front draft
I worked out the lettering for the crate at the scale I needed based on what is visible in the Killer Dwarfs’ videos.

It’s not an exact replica. (And the crates in each video don’t match, either!) But I was pretty happy with doing a rough draft, because it took several tries (and a lot of erasing) to get it right.

I debated using the paper version as a guide only, and re-drawing everything on the wood. Then I thought: maybe I can use it as an actual template.

So I made copies, cut the shapes and letters out, and used that to get the lettering right. I still used a ruler to get the lettering as straight as I could, even with the paper template.

Crate front stencil
The photocopy of my original lettering made a pretty good stencil after I cut the shapes out with an X-acto knife.

Then I painted the lettering on the front of the crate. I did two coats.

Crate front lettering
The front of the crate took the longest to make, due to the lettering work and finding the right shade of red paint.

Once the front was painted, I glued it on. It might have allowed more stability to do the lettering afterward, but I felt it would be much more awkward to letter and paint on the assembled box.

I left the top until the end, in case I had to cut or sand down the top of the interior CD box to fit within the outside construction. (Did I mention how hard it is to make everything perfectly square when you don’t have a table saw?) As well, the wood panelling tended to have curves or warps in it. Even with the use of clamps when gluing it on, it was not perfectly flat. (TOTALLY INTENTIONAL.)

And, for the top of the crate, I decided to add a little extra. Leaving it blank would be more accurate to the crate in the music videos, but I thought it needed a Killer Dwarfs logo on it. So I stencilled the name on it and painted it to match the one inside.

Finishing touches

The final touch was to add some Russ-Dwarf-esque hands to the side of the crate. It was harder than I expected. I searched through used toys at the second-hand store, online makers of marionette parts, and eventually stumbled onto a hitherto unknown (to me) fandom, namely ball-jointed dolls. FINALLY, after racking up many a weird search result for “doll hands,” I found a supplier with two that looked like they might work.

I needed them to fit flush with the side of the box, so I used a mitre box and saw to get a nice, flat cut.

I also wasn’t totally happy with the colour of the hands as they were, so I painted them before gluing them between the slats of the side of the crate.

Now, for the finishing touch — I enlisted the help of my friend Mike Aporius to take some “official” shots of the finished product. As you can see, he made it look fantastic.

Killer Dwarfs box set
Homemade Killer Dwarfs box set by David Jón Fuller / Photo by Mike Aporius

So, there you have it. Until there’s an official Killer Dwarfs box set, you’ll just have to make your own. But for me, at least, it was a fun project to work on for several months!

Questions? Comments? Have you ever concocted something for your personal fandom because it didn’t exist yet? I’d love to hear about it in the comments below!

Enjoy these ’80s TV mashups

I don’t know why glomming two different things onto each other appeals to me so much, but it’s probably why I like puns so much. Or that I wonder what would happen in a crossover between Teen Wolf and The Lost Boys. Or write novels that jam, say, 1980s heavy metal and werewolves together, or others that mix Monty Python absurdity with Icelandic folklore. Occasionally, I start thinking up ’80s TV mashups. Here are the shows I came up with…

Sitcoms

Laugh-a-minute hijinks with your favourite high-concept, never-evolving characters in static three-set environments:

  • The Facts of Webster
  • Chachi in Charge*
  • Silver Moonlighting
  • My Two Ties
  • Bosom Morks
  • Joanie Loves Shirley
  • The Strokes of Life
  • Who’s Company?
  • Family Days

* admittedly this might be indistinguishable from either original series

Dramas

Emmy-award-winning, definitely-not-soap-operas because, uh, they used film, not videotape, and also, were broadcast in the evening.

  • Elsewhere Street Blues
  • airwolfsomething
  • St. Dynasty
  • Hill Street Cheers

Action/suspense shows

Diff’rent A-Team is a TV mashup I’d watch.

These would definitely make your mid-week evening “must-see TV” list:

  • Starsky and Mindy
  • Diff’rent A-Team
  • Too Close For Spenser
  • Remington & Remington
  • Sledge Hunter!
  • T.J. Hooker For Hire
  • Magnum Steele, P.I.
  • The Knights of Hazzard*

*It occurs to me this probably would have been a lot more sinister than a show with a flashy car :/

Ensemble casts

There’s always a standout subplot or gimmick for a minor character within the rigid parameters of every episode:

  • Love Island
  • Star Trek: The Day After
  • The Blue Thunder Years
  • The Happy Boat

Game shows

Try your skill, luck, or interpersonal charm at some of these doozies:

  • Wheel of Jeopardy
  • The Family is Right
  • Let’s Make a Feud
  • The $64,000 Definition*

*(I know, wrong decade)

Sci-fi, horror, fantasy, and other genres

Big ideas! Low budget! Probably a cool vehicle! To say nothing of the costumes…

  • Airwerewolf
  • Tales of the Golden A.L.F.
  • Automanimal
  • M.A.S.H. Headroom
  • Bring ‘Em Back Matthew Starr

Soap operas

Don’t worry, the interpersonal strife between the characters will never be resolved.

  • The Dallas Boat
  • WKRP in Santa Barbara
  • The Young and the Ripley’s Believe It or Not

CanCon

For non-Canucks, CanCon is “Canadian content” meaning entertainment that has been written, performed, recorded, produced, or replicated (or some complicated percentage of any or all of these things) by a Canadian, as judged by the CRTC, which has mandated a certain proportion of CanCon be broadcast by Canadian television and radio stations. This is why shows like The Beachcombers lasted forever, and why generations of teens must endure endless replays of The Guess Who on rock radio.

Here are some shows that might have livened up the ol’ CBC or CTV lineups:

  • The Danger Bay of Things
  • Beachcombers: The Next Generation
  • The Sesame Giant
  • 21 Degrassi Street
  • SCTV in Cincinnati
  • Mr. Dressup’s Neighbourhood

No idea, but it sounds fun

  • Lifestyles of the Rich and Newhart

It’s your turn

All right, I’ve had my fun. Now let’s hear your ideas for ’80s TV mashups. You can see what author J.C. Lillis came up with when we were brainstorming on Twitter:

No idea is too out-there, and I’m sure I’ve only scratched the surface. Drop a title in the comments below, or tweet with the #80sTVmashups hashtag!

Metal Monday: Killer Dwarfs’ Big Deal

Big Deal was, for the Killer Dwarfs, an apt title. The band had signed a contract with Sony for their third album, and had the chance to show that the video success of “Keep the Spirit Alive” was no fluke. That they were, in fact, a Big Deal.

Killer Dwarfs Big Deal
KIller Dwarfs’ Big Deal

Given the video for their first single off the album, “We Stand Alone,” in which the Dwarfs lampoon how signing a big-deal contract might make them sellouts, it’s fair to say an additional meaning to Big Deal could well have been “so what?”

But if Stand Tall established the Killer Dwarfs as a melodic heavy metal band, Big Deal displayed a sound with more polish. They also took things in different directions. Album opener “Tell Me Please” is a hook-heavy crowd-pleaser, one they still play live.

“We Stand Alone” is a confident, catchy heavy rock song that takes full advantage of Russ Graham’s soaring vocals, the thump and dexterity of Darrell Millar’s drumming, Mike Hall’s wailing lead guitar, and the full-bodied sound of Ron Mayer’s bass playing, with more of the band’s backing vocals than on the previous album.

The delivery of a thunderous chorus also stands out in “Lifetime” and “Power.” Other notable songs are “Union of Pride,” a slow-paced anthem of solidarity, and the frenetic, heavy “Burn It Down.”  As on Stand Tall, Graham and Hall share writing credits on all songs.

Album closer “Desperadoes” starts off with spare riffs evocative of Bon-Scott-era AC/DC, but there’s no mistaking it for anything other than a Killer Dwarfs song. At a 2019 show in Winnipeg, they played it live for the first time (according to Russell) as the final encore of the evening. Thirty-one years was worth the wait.

Overall, Big Deal is a great example of 1980s heavy metal, and should, ahem, stand tall among other albums of the latter part of the decade like Whitesnake’s Whitesnake or Bon Jovi’s Slippery When Wet.

Big Deal

  • Killer Dwarfs
  • Sony, 1988
  • Four stars out of five

Metal Monday: Killer Dwarfs’ Stand Tall

Stand Tall was the breakout album for the Killer Dwarfs, and if you kept abreast of music videos in the winter of 1986-87, chances are you saw all or part of “Keep the Spirit Alive.”

Stand Tall
Killer Dwarfs’ Stand Tall

(Not that even such a successful video, played in heavy rotation on MuchMusic, MTV and network music video shows translated into much mainstream radio airplay. At least, not on the rock stations I was listening to.)

For many Canadians in their teens at the time, the image of Russ “Dwarf” Graham singing while trapped in a crate being catapulted through various misadventures before making it to his band’s concert is what springs to mind when thinking of the Killer Dwarfs.

This album marked a departure in style for the band. Original guitarist Bryce Trewin had left and Mike Hall took his place. Bassist Ron Mayer replaced Ange Fodero. The change is dramatic, with the all of the songs on Stand Tall co-written by Graham and Hall. Many incorporated backing vocals, giving Stand Tall a much more commercial, pop-metal sheen.

Which is no mark against the album. “Stand Tall,” another single that garnered a goofy, self-mocking video, is built on soaring guitar riffs, pounding drums, and a shouted chorus that still gets audiences singing along in live performances.

Other standout tracks are “Human Survival” and “Bite the Hand That Feeds,” as well as the era-appropriate “Up to You and Me,” a sombre meditation on responsibility in an age of nuclear-weapons brinksmanship.

Aside from the generally more melodic metal sound, the outstanding guitar work of Hall on the solos in the title track and “Keep the Spirit Alive” really fill out the Dwarfs’ sound. And Mayer’s ominous basswork is the heartbeat powering songs like “Up To You and Me.”

For those looking to actually listen to this album, its success means you’re in luck — but only if you have a turntable. It sold well on vinyl in the U.S. and Canada. You can find used copies for reasonable prices online, but finding it on CD is much, much harder, even considering the album had a 2003 re-issue. (You could, as the Dwarfs showed in the video for “Stand Tall,” just go ahead and make your own copy, but your results may vary.)

The sense of humour in the videos that put the Killer Dwarfs on the map, as well as the thoughtfulness behind many of the lyrics, display a band hitting its stride. In a sense, Stand Tall was their “debut” album, showing signs of things to come.

Stand Tall

  • Killer Dwarfs
  • 1986
  • Four stars out of five

Werewolf in uniform: WolfCop seeks fan support

WOLF COP_OnlineNo, it’s not a new officer of the Saskatoon Police Service’s canine unit, but you could be forgiven for thinking that at first glance of Lou Garou, the main character in Canadian werewolf movie WolfCop.

A werewolf in cop’s clothing, Garou (played by Leo Fafard) is the brainchild of filmmaker Lowell Dean. Garou hits the bottle a bit too hard occasionally, so he’s used to not remembering where he’s spent his nights. But now, instead of just waking up with a hangover, he finds himself investigating crime scenes that seem a little too familiar.

The tagline for WolfCop, which currently only exists as a trailer (see below), is “Dirty Hairy… only hairier.”

Why you should read Walt Simonson’s entire run on Thor

MightyThorOmnibuscropIn the 1980s, superhero comics were in the process of reinventing themselves for a more sophisticated audience, and one of the creators who took advantage of that was writer/artist Walt Simonson when he took the reins at Marvel Comics’ Thor.

Chris Clarememont and John Byrne had made their mark on The Uncanny X-Men; Frank Miller and Klaus Janson had overhauled Daredevil into something epic. (Byrne and Miller, of course, later revolutionized Superman and Batman, respectively.) But Simonson, who had worked on The Mighty Thor in the late 1970s, already had mythic material to start with, and when he returned to the title he built it into a world-shattering story.