Marginalization, speculative fiction and writing for Long Hidden, part 2: the how

In a previous post, I talked about why I wrote and submitted a short story to Long Hidden: Speculative Fiction From the Margins of History. Given the differences between my personal background and that of the main character in the story, I had to do a lot of research just to write the first draft.  This post is about that.

English: Crowd gathered outside old City Hall,...
Crowd gathered outside old City Hall, at Main Street and William Avenue, during the Winnipeg General Strike. Visible on the left are the Union Bank of Canada building and Leland Hotel. (Photo credit: Wikipedia)

The main character, Thomas Greyeyes, lives in a different era from me (the story is set in 1919), is a First World War veteran, is an Anishinaabe man who worked as a trapper in northern Manitoba, and has barely seen his children in years. I’m of English and Icelandic descent and grew up in the late 20th century. About the only things I had in common with my main character are where the story is set (Winnipeg, where I have lived most my life) and age — Thomas and I are both around 40 years old. And, like him, I’m a father.

Long Hidden cover, table of contents revealed

LH-cover-onlytitleandeditorsI was already thrilled to have a story in the upcoming Long Hidden: Speculative Fiction from the Margins of History, because I think the concept and motivation behind an anthology that celebrates people who were marginalized in their time and place, and puts them at the centre of the story, is fantastic. (And working and corresponding with the editors Rose Fox and Daniel José Older, and Crossed Genres Publications, has been awesome.)

But now I am even more keen to read and see the finished product, since the beautiful cover (above) by Julie Dillon was revealed.