Well, the word is official: Edge Books has released the table of contents for Tesseracts 18: Wrestling With Gods, and a story of mine is among them. It’s always an honour to be included in Tesseracts, but especially so for me since Tesseracts 17 saw my first professional sale, and I’d submitted to previous incarnations of the anthology without success over the years.
Posts Tagged with horror
A good year for women werewolves
Werewolf Wednesday: David Wellington’s Frostbite
If revenge is a dish best served cold, then what better place for it than the Canadian North? In the bizarre landscape of the Arctic’s “drunken forest” and forsaken settlements such as Port Radium, David Wellington crafts an intriguing, original take on the werewolf mythos in Frostbite.
Wellington had already shown his taste for revamping classic monsters, in novels such as Vampire Zero and 13 Bullets. In Frostbite, he makes the rules for his lycanthropes all the more strict and frightening, while at the same time presenting a very human story.
Dennis Cooley tackles Dracula in Seeing Red
Vampires may have been out of favour in the monster-movie biz until recently, replaced by crazed teenager-killers, but in the literary realm they haven’t overstayed their welcome by a long shot, however many novels Anne Rice puts out. (This review was so obviously written before Twilight vastly expanded the readership for all things vampiric. — DJF) Dennis Cooley goes back to the grandaddy of them all, Dracula, for inspiration in Seeing Red.
Cooley’s various takes on the vampire mythos in general and Dracula in particular range from the intensely personal to the cunningly absurd.
Feature Friday: Freddy vs. Jason
I have to admit I’m not a fan of slasher flicks. A good scare is worth a lot, and I can appreciate anything from John Carpenter’s The Thing to Se7en.
But buckets of blood provoke a visceral reaction in my guts, and though that has faded over the years, it’s a big reason why I never saw more than a few in those hallmark eighties series, Friday the 13th and Nightmare on Elm Street. I’ll take Dokken and DJ Jazzy Jeff and leave it at that for my Freddy Krueger nostalgia.
Of barrow-wights and the Balrog: Tolkien brings horror to Middle-earth
Much is made of the differences in tone between J.R.R. Tolkien’s The Hobbit and its eventual sequel, The Lord of the Rings. One was written for children, the other clearly was not. But what is the defining characteristic of Tolkien’s epic (and there may be more than one) that sets it apart from its child-friendly origins?
I’d venture to say it’s that Tolkien brings horror to Middle-earth.