I’ve been waiting a while to announce this, but it’s finally available — my first short story published in translation is “Les loups de Vimy,” now available in the anthology Ténèbres 2017, published annually in by Dreampress in France. Translated by Sabine Sur, ‘Les loups de Vimy” was originally published in English as “The Wolves of Vimy” in Kneeling in the Silver Light: Stories from the Great War.
I was invited by Mary Pletsch (with whom I have the honour of sharing a table of contents with in Kneeling in the Silver Light and Wrestling With Gods) to write a guest post at The Fictorians, on the subject of writing conflict in fiction.
Here’s a little bit of what I had to say:
Don’t say what you mean: writing conflict through dialogue
There are a lot of ways to express conflict through dialogue in a scene, but it can be very effective – and a lot of fun – if it isn’t done openly.
People (and characters) hate conflict. They usually do everything they can to avoid it, unless they’re devoid of empathy. But readers… they love conflict. It makes for great dialogue, exciting scenes, and a plot that keeps moving.
For those interested in lycanthropic continuity, I decided to write a short post about the linked werewolf stories I’ve been working on. I’d started focusing on short fiction between the last two drafts of my novel, which is now in the query trenches, and started building up a lot of tales about other characters in the world I’ve been working on.
I’m not sure what to call it as a series yet — though I’m leaning toward “Wolves of the Muddy Waters “ — but here’s the timeline for any readers interested in getting the whole picture. (This is not including finished stories that are out there on submission but haven’t found a home yet.)
I will confess, at the end of 2013 I thought this shelf (seen above in December of that year) would be filling up a bit more by the end of 2014. But that would be ignoring the fact I was beyond thrilled to be included in the titles you’ll see on it at the bottom of this post, Long Hidden and Kneeling in the Silver Light. As one of my favourite teachers, Mr. Gillis, used to say: quality, not quantity.
Shifting genres to tell an earlier part of a character’s story wasn’t something I initially planned on when writing “The Wolves of Vimy” (out now in Kneeling in the Silver Light). But when it came down to it, I thought, what the hell — there’s a story there and I might just learn something.
I’ve blogged earlier this year about how writing “A Deeper Echo” for Long Hidden changed my approach to writing speculative fiction (and, indeed, the way I look at history). For Kneeling in the Silver Light, a dark fantasy/horror anthology of stories about the First World War, I wanted to tell a story in a genre I’d never written in before: military fiction.
It’s been hard to sit on this one, as I was very very keen to submit a story to Kneeling in the Silver Light: Stories From the Great War. That was way back in November 2013, but now editor Dean M. Drinkel has released the table of contents, so I can announce that I have a story, “The Wolves of Vimy” in this collection.