A bicameral review of Def Leppard’s “Def Leppard”

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When it comes to reviewing the latest album by pop-metal maestros Def Leppard, I’m of two minds. On the one hand, at 43 years old, I want to be fairly critical and give an honest opinion. On the other, having seen the band live for the third time this past summer, it’s clear some of their songs will be forever etched in my mind, and as musicians they’re at the top of their game.  So I’ve decided to review the eponymous Def Leppard as my current self and as the audience to whom Def Leppard probably mattered most, 15-year-old me.

43-Year-Old Self: Hello, younger self.

15-Year-Old Self: Hey old self. Hey, do you have flying cars and cool stuff in the future?

Metal Monday: Def Leppard’s Hysteria

Cover of "Hysteria"

With an album as popular as Def Leppard’s Hysteria, the memory of when you first heard it may be overshadowed by the point at which you became sick of it.

As with Def Leppard, so went the fates of pop metal — they reached their height of fame with Hysteria, released in 1987, and it’s arguably one of the last great albums in the genre. The numerous singles released from it kept it on the airwaves for years, and that was part of the problem.

Metal Monday: Def Leppard’s Pyromania

Pyromania (album)

Some may take umbrage at the notion of including Def Leppard in the category “heavy metal,” but for Pyromania, at least, they deserve it. And the genre can thank them for it.

Released in 1983, it was one of a number of albums that pushed heavy metal into the mainstream. Leppard, along with Iron Maiden and Judas Priest, was part of the New Wave of British Heavy Metal, but while Maiden and Priest had core audiences in the U.K. and scattered across North America, it was Leppard that got Americans and Canadians to wear Union Jacks.