Fake metal bands that should have existed

They’re too good to be true (or too awful) and sometimes they’re hilarious because they don’t need to inhabit the real world. Imaginary musicians, faux songs or flat-out spoofs, here are my favourite fake metal bands.

Metal Monday: Chuck Klosterman’s Fargo Rock City

Fargo Rock City

One of the virtues of Chuck Klosterman’s take on 1980s heavy metal in Fargo Rock City is that, once you’ve read it, you’ll never look at metal the same way again.

Born and raised in Wyndmere, N.D., Klosterman had already covered music for the Fargo Forum and the Akron Beacon Journal before writing it, and has since gone o to write for GQ, The New York Times Magazine, and The Washington Post, as well as a number of bestselling books.

Metal Monday: Def Leppard’s Pyromania

Pyromania (album)

Some may take umbrage at the notion of including Def Leppard in the category “heavy metal,” but for Pyromania, at least, they deserve it. And the genre can thank them for it.

Released in 1983, it was one of a number of albums that pushed heavy metal into the mainstream. Leppard, along with Iron Maiden and Judas Priest, was part of the New Wave of British Heavy Metal, but while Maiden and Priest had core audiences in the U.K. and scattered across North America, it was Leppard that got Americans and Canadians to wear Union Jacks.

Metal Monday: Iron Maiden’s Edward the Great

Note: this review of Iron Maiden’s 2002 greatest hits collection was written before the band’s reemergence as a touring dynamo in the early 21st century (at least in North America; Brazil always seemed to know they put on a great show, as you can hear on Maiden’s live album Rock in Rio.)

What? Don’t these guys know they’re has-beens? Apparently not; or maybe Bruce Dickinson and crew are old enough to know that what goes around, comes around. A greatest hits album for a band never big on hit singles may seem incongruous, but given the road-testing of their material over the years, Iron Maiden and their cheerfully macabre mascot Eddie have put together an astute collection.

Feature Friday: Freddy vs. Jason

Freddy vs. Jason

I have to admit I’m not a fan of slasher flicks. A good scare is worth a lot, and I can appreciate anything from John Carpenter’s The Thing to Se7en.

But buckets of blood provoke a visceral reaction in my guts, and though that has faded over the years, it’s a big reason why I never saw more than a few in those hallmark eighties series, Friday the 13th and Nightmare on Elm Street. I’ll take Dokken and DJ Jazzy Jeff and leave it at that for my Freddy Krueger nostalgia.

Metal Monday: Killer Dwarfs’ Reunion of Scribes Live 2001

Reunion of Scribes
Reunion of Scribes — Live 2001

The Killer Dwarfs always scored high on self-awareness, never taking themselves or their genre too seriously—something that comes through on their album Reunion of Scribes — Live 2001.

Full of energy, Russ “Dwarf” lets loose his Geddy Lee-esque voice over the heavy three-chord rock. The original lineup is reassembled, though you could be forgiven for asking “when did it change?” (Probably some time after you last heard of them.)