Guns and Romances now available

Guns&Romances LRI announced landing a story in the Guns and Romances anthology some time ago, but now I’m thrilled to say the book is now available.

Edited by Nerine Dorman and Carrie Clevenger, the concept for the book was that each story had to feature “two characters interacting, flavoured with guns and music.” My story, “Caged,” has a same-sex romance, a werewolf, running commentary on the top five heavy metal drummers of all time, and at least two firearms being used in accordance with Anton Chekhov’s maxim. Oh, and a snowmobile chase.
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Long Hidden nominated for World Fantasy Award

LongHiddenWoot! Always an honour to be nominated, as they say, and Long Hidden has already been nominated for a prestigious award (Sofia Samatar’s “Ogres of East Africa” was nominated for a Locus Award, and so was Long Hidden) — but this feels especially “big”: Long Hidden has made the shortlist for the World Fantasy Award.

Full props to publishers Crossed Genres and editors Rose Fox and Daniel José Older for making the anthology happen, and to all the artists and authors who contributed. Yes, I’m biased! So what. If there was any anthology in English that strove to put the “world” in world fantasy in 2014, Long Hidden was it.
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‘Black Smoke and Water Lilies’ in Chinese Fantasy Stories

INSlogo2015-PNGIt’s official: my short story, “Black Smoke and Water Lilies,” is in the new edition of Insignia Volume 2: Chinese Fantasy Stories, edited by Kelly Matsuura.

If you’re not familiar with the Insignia series of anthologies, each one groups stories set or inspired by a different region in Asia. Volume 1 features Japanese fantasy stories and the upcoming Volume 3 features stories of Southeast Asia (submissions for that one are still open, by the way; the deadline is August 31).
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Accessing the Future: exploring in many senses

Accessin the Future image 2

When it comes to future tech, variations on a phrase in a roleplaying game sourcebook always stuck with me: “POOF: YOU’RE HEALED.”

That was the description for the top-level, beyond super-science medical technology of the far future. (For weaponry of that advanced era, it was “POOF: YOU’RE DEAD”; for transportation it was “POOF: YOU’RE THERE.” You get the idea. Also, possibly, I played far too much G.U.R.P.S. if its metaphors remain fixed in my head.)

One thing unquestioned, of course, and not within the scope of RPG rules, is the question: “for whom?”
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