Although Tesseracts Eighteen: Wresting with Gods won’t be officially released in print until March 2015, you can buy it for your Kindle on Amazon as of today.
If your thoughts are taking on a spiritual bent at this time of year — or if they do as a matter of course, anyway — take a look at this anthology of speculative fiction that explores belief, faith and religion.
The beautiful cover was also revealed today. Fantastic stuff.
There will be more to come on the Tesseracts Eighteen: Wrestling With Gods anthology in the new year, with interviews and more. Stay tuned for more details. But if you can’t wait to read the stories and (unlike me) have a Kindle , you’re in luck.
Kneeling in the Silver Light visits the war monument on Memorial Boulevard in Winnipeg.
Shifting genres to tell an earlier part of a character’s story wasn’t something I initially planned on when writing “The Wolves of Vimy” (out now in Kneeling in the Silver Light). But when it came down to it, I thought, what the hell — there’s a story there and I might just learn something.
I’ve blogged earlier this year about how writing “A Deeper Echo” for Long Hidden changed my approach to writing speculative fiction (and, indeed, the way I look at history). For Kneeling in the Silver Light, a dark fantasy/horror anthology of stories about the First World War, I wanted to tell a story in a genre I’d never written in before: military fiction.
Splash page from Johnny Canuck’s first adventure.
You may not have heard of Brok Windsor or Johnny Canuck, but back during the Second World War they were part of Canada’s Golden Age of comic books. Comics from the U.S. were deemed “non-essential” imports under wartime legislation and as such were not allowed into Canada. But kids were already hooked on superheroes, adventure comics, humour books and more. So a homegrown Canadian comic book industry was born — and it lasted until the end of the war.
Should you be interested in Walter Simonson’s Ragnarök? If you’re already familiar with the writer-artist’s work, particularly his acclaimed run on Marvel’s Thor, you can probably skip to the line below.
TL;DR – Shut up and take my money. Yes, it’s that good.